
AboutShe can be contacted at cheryl [at] americasfuture [dot] org. Read my other blog. The one that's not obnoxious and self-absorbed! Recent publications"Scary Rise of the 'Sanctimommy'" in The Washington Times "Why Malamud Faded" in Commentary "Blogging Infertility" in The New Atlantis "Outsourcing Childbirth" in The Wall Street Journal "The Painless Peace of Twilight Sleep" in The New Atlantis "The Genius of Old New York" in The Claremont Review of Books "Parenthood At Any Price" in The New Atlantis "Modern Girls and the Moral Revival They Are Leading" in The Washington Times ARTICLE ARCHIVE Links |
Wednesday, June 25, 2008 "No man but a blockhead ever wrote, except for money," Samuel Johnson proclaimed. Wodehouse demurred a bit, but he was largely in agreement. "Poets, as a class, are business men," he wrote, "Shakespeare describes the poet's eye as rolling in a fine frenzy from heaven to earth, from earth to heaven, and giving to airy nothing a local habitation and a name, but in practice you will find that one corner of that eye is generally glued on the royalty returns." For a man who hated banking, he was certainly shrewd about making money. "Never sell once what you can sell twice" is a time-honored journalistic principle--to which Wodehouse was an enthusiastic adherent. Indeed, he bragged, he could beat that: he once sold a work no less than four times--first, to a British magazine for serialization, then to a British publisher, then to an American magazine, and finally to an American publisher.posted by Cheryl # 3:33 PM ![]() Labels: I heart EW posted by Cheryl # 3:21 PMSunday, June 22, 2008 --Gene Weingarten Labels: journos posted by Cheryl # 9:23 PMWednesday, June 11, 2008 Christina Hoff Sommers Feminism! I was a bit surprised that neither the discussion of Linda Hirshman's article about the feminist movement nor the original piece bring up what might well be the main problem with "intersectionality," that is, with a "feminism" that has morphed into a universalist struggle against oppression, namely that some fights for the underdog contradict the more basic principles of feminism. When discussing, say, radical Islam (or radical anything else, but Islam is the one that comes up the most), while a feminist would condemn certain practices or traditions, a "feminist" who is simply a leftist or a humanist will point to the oppression Muslim men face in this or that country; will insist that Muslim women are more oppressed as Muslims than as women; and in extreme cases, will denounce as sell-outs those Muslim women who subscribe to a 'Western' feminism.I also take Phoebe's point here: To put fighting anti-Semitism above all else is, goes this line of thought, a waste of energy, one could even say, it's like a "feminism" centered around the plight of women who, relatively speaking, are not that oppressed. Do Jews in America, in France, in Israel, have it worse than the rest of humanity, now, in the year 2008?This critique is exactly why it's so important to distinguish the "serious" cases from the "silly" ones. Even a strong philosemite such as myself finds some of the "struggles" against anti-Semitism absurd. I'm thinking particularly of a story a (Jewish) friend told me about how a Jewish group at his Ivy League college protested after receiving candy canes in their student mail. Despite the absence of any religious literature, the students thought the candy cane's symbolism a possible offense and an attempt by Christians to push their faith on them. My friend was disgusted, especially since he otherwise counted himself a supporter of the group's activities. But the protest, he thought, hurt the fight against anti-Semitism: Not only did it distract from actual cases of anti-Semitism, it also helped anti-Semites conflate real abuses with the silliness of the students' imagined one--all the more so since the students seemed to think they were as oppressed as Jews being killed and attacked in Israel and Europe. Basically, the candy cane controversy is the Jewish equivalent of Judith Warner crying oppression over profiteroles. Does that mean fighting anti-Semitism or sexism is silly? No, but you need to pick your battles if only so as not to alienate potential supporters and hurt your own cause. Also, as I tried to argue in my last post, it's hard to galvanize activists around your "need" to vacation in Normandy. As worthy as your cause might be, if you let it get hijacked by pretend victims, most people are going to think you're just "crying wolf," and become indifferent, if not outright hostile, to you and your movement. Perhaps the answer to Hirshman's article is the "Christina Hoff Sommers feminism" to which Rita alluded here--one that puts first real abuses against women's rights first rather than, say, the membership of the Augusta National Golf Club. P.S. I completely understand Sonny's predicament here: I tried to find the video clip of Lisa explaining to Homer the difference between correlation and causality, but I couldn't find it. Instead, I found about twenty Dragonball Z mashups. Can anyone explain to me the purpose of a Dragonball Z mashup? And perhaps suggest somewhere to find clips of Simpsons episodes? I feel like most anything in life can be explained by a South Park clip or a Simpsons clip more succinctly than I can explain it.While working on my Hirshman post, I kept trying to find that hilarious clip from The Simpsons where none of the protesters remember what they're protesting and keep bringing up their own pet causes. That was the entire Hirshman article in a two minute clip. Labels: gender wars posted by Cheryl # 3:40 PMTuesday, June 10, 2008 [F]eminists weren't going to do things the old-fashioned, "political" way. Instead, faced with criticism that the movement was too white and middle-class, many influential feminist thinkers conceded that issues affecting mostly white middle-class women -- such as the corporate glass ceiling or the high cost of day care -- should not significantly concern the feminist movement. Particularly in academic circles, only issues that invoked the "intersectionality" of many overlapping oppressions were deemed worthy. Moreover, that concern must include the whole weight of those oppressions. In other words, since racism hurts black women, feminists must fight not only racist misogyny but racism in any form; not only rape as an instrument of war, but war itself. The National Organization for Women (NOW) eventually amended its mission statement to include interrelated oppressions.As they say, read the whole thing. (See also this excellent discussion.) Hirshman, I think, gets the politics right (a more radical feminism isn't going to win over American voters), but she doesn't seem to get the appeal of the "intersectional" approach for activists. Basically, it helps if the "oppressed" class you are fighting for is actually...well, oppressed. Feminism failed among white, middle-class women precisely because it was so successful; as Hirshman writes, feminism removed the most egregious barriers to women's liberation, leaving in its wake a lot of trivial, albeit frustrating "first-world problems" to be solved, e.g., what's the most equitable way to divide household chores? should I keep a separate bank account? can I be a stay-at-home mom and still be a good role model for my kids? etc., etc. The trouble with focusing on such "problems" is that it comes across as self-indulgent whining. (And as evidenced by this blog, I have a high threshold for self-indulgent whining.) Just take a look at the oceans of ink spilled over the Mommy Wars: e.g., this and this and this and this. Isn't it a little strange to say middle-class women are being ignored when they're all over the media? To many people, these women are feminism, and it's not an attractive picture. Yes, it's annoying that your husband leaves his socks on the floor because he can't be bothered to pick them up, but when you have a maid and a nanny to help, is there really that much to complain about? Especially compared to people who have real problems--like bad schools and poverty and not a single French chaumiere of their own to visit come August. Have some perspective, please! Suffice it to say, the plight of the bourgeois white woman is not a terribly inspiring cause. (Give me Normandy or give me death!) What's more, most of these women's problems aren't amenable to legislative solutions, which makes them difficult for activists to tackle. If you're not going to divorce the guy over dirty socks, what else is there to do? Hirshman would say, "Don't marry a jerk," but how does that help when you've already married the jerk and you like him, dirty socks or no? Labels: gender wars posted by Cheryl # 9:02 AMSunday, June 8, 2008 Welcome to the Land of the Park Slope Stroller Mom, where every compliment is a veiled insult, and every choice no matter how mundane or personal - home birth vs. hospital, disposable vs. cloth diapers - is taken as a declaration of your progressive bona fides (or lack thereof). If you're not run down by a passing Bugaboo stroller, you'll likely soon be by the nonstop passive-aggressive sniping of the other mothers. "You let Baby Bjorn have non-organic carrot sticks? What kind of monster are you?" Labels: gender wars, shameless self-promotion posted by Cheryl # 12:30 PMTuesday, June 3, 2008 In the days when American Jewish fiction was at the high-water mark of literary prestige, Bernard Malamud was universally acknowledged as one of its three leading figures (the other two being Saul Bellow and Philip Roth). From the mid-1950's through the late 60's, he was considered a master of the American short story, and taken with the utmost seriousness as a novelist. He received every major literary award in the United States, and achieved significant commercial success with his 1966 Pulitzer-prize-winning bestseller, The Fixer. Four decades later, however, Malamud's name is "fading, his readership and literary standing in danger of decline." These are the words of Philip Davis, whose Bernard Malamud: A Writer's Life is the first full-scale biography of, in Davis's estimation, a "major writer of the 20th century." Davis is a sensitive and intelligent researcher, and his book is a valiant effort at reclamation; but he does not answer the central issue he raises: why would the work of a major writer be at such risk of disappearing? Labels: lit crit, shameless self-promotion posted by Cheryl # 11:41 AMArchives December 2007 January 2008 February 2008 March 2008 April 2008 May 2008 June 2008 |